This book introduces photographers, print-makers, and other graphic artists to the creative possibilities of image editing and presentation. The focus is on how meaning can be created and shaped if the emphasis is placed on the totality of the visual experience rather than by looking at each single image in isolation.

The four pamphlets in the letterpress printed set includes Clay in the Potter's Hand by Jan Tschichold, Errors of the Press ch. XVIII from Correct Composition by Therodore Low De Vinne, An Older Typophile in the Nineties: A Typophile Keepsake by Alexander Lawson, and Relief Printing Rollers by Lee Engdahl.

Ismar David made his career over a broad spectrum of applied art. His work is exciting, not merely because of its technical excellence, but because it resonates with clarity and color of a distinct and distinctive artistic voice.

Undulating metal planes shout "View It!" from a cafeteria wall. Richly hued, monumental square murals pulse their welcome in a grand lobby. A multitude of fine works on paper awaits contemplation in the library. A titan sculpture of sinuous steel beckons visitors onto campus. Numerous galleries and exhibition spaces provide opportunities for art appreciation and critique. These pieces and venues, and many more, find their homes throughout the cohesive fabric of patterned brick that makes up RIT's unique campus. Now, for the first time, the history, artists, and significance of these RIT artworks are revealed in View It!—the guidebook and walking art tour.

The Uncommon Denominator: A Tribute to Richard Hirsch presents a spectrum of aesthetic eloquence and technical mastery in the ceramic arts. The traveling exhibition and accompanying catalog celebrate the career of Richard Hirsch through the work of a selection of his alumni. Hirsch has achieved professional recognition both as a ceramic artist and teacher.

Albert Paley's Sentinel has transformed the face of RIT: a dramatic focal point in the heart of campus, at the crossroads for all RIT community activity. As the largest sculpture at any American university, its presence, while inciting both admiration and debate, perhaps best represents an academic institution's highest ideal: the ability to foster and freely express a creative idea. This important sculpture is now the subject of a book by RIT Cary Graphic Arts Press.

The first compact history of the American poster.A unique resource for those who are fascinated by American history and popular culture: scholars, collectors, designers, and students. The “modern” American poster has figured prominently in virtually every major political, social, commercial, and cultural development in the country.

The first compact history of the American poster.

A unique resource for those who are fascinated by American history and popular culture: scholars, collectors, designers, and students.