Most photographic monographs are books that invite a quick scanning of images before they find a permanent resting-place on a library shelf or join the stack on a coffee table. Willie Osterman’s Déjà View: Bologna, Italy is a delightful and serious exception that compels rereading and restudy—which is, after all, the subject of the book. The skill, sensitivity, and sensibility of this fine photographer is echoed throughout a book that merits a wide audience.